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BUY PRINTS/LICENSE more abstract images of Silent Skies. Images of Sydney Opera House Roof Shells here

Into Silent Skies #1. Images of Sydney Opera House Roof Shells

Into Silent Skies #4. Images of Sydney Opera House Roof Shells

Into Silent Skies #5. Images of Sydney Opera House Roof Shells

BUY PRINTS/LICENSE more abstract images of Silent Skies. Images of Sydney Opera House Roof Shells here

Photography  © Quintin Lake, 2010

BUY PRINTS/LICENSE more abstract images of the Sydney Opera House roof here

The roof is constructed of a series of precast concrete “shells”. The roofs of the Sydney Opera House are covered in a subtle chevron pattern with 1,056,006 glossy white- and matte-cream-colored Swedish-made glazed ceramic tiles from Höganäs AB though, from a distance, the shells appear a uniform white.

Abstract image of the tiled fan pattern on two shells of the roof of Sydney Opera House

Abstract image of the tiled fan pattern of the roof Sydney Opera

Abstract image of the tiled fan pattern of the roof Sydney Opera

BUY PRINTS/LICENSE more abstract images of the Sydney Opera House roof here

Photography  © Quintin Lake, 2010

BUY PRINTS/LICENSE more Pripyat (Pripiat) 21 years after Chernobyl images here

Hotel Polissia Terrace, Pripyat

A silver birch tree grows through the floor on the terrace of Hotel Polissia. The hammer and sickle is visible atop the distant building

Light switches in a bedroom of Hotel Polissia. The peeling paint is the result of 21 years decay.

Light switches in a bedroom of Hotel Polissia. The peeling paint is the result of 21 years decay.

Lobby of Hotel Polissia. The check-in desk is in the background. Marble wall cladding has been removed by looters.

Lobby of Hotel Polissia. The check-in desk is in the background. Marble wall cladding has been removed by looters.

BUY PRINTS/LICENSE more Pripyat (Pripiat) 21 years after Chernobyl images here

Photography  © Quintin Lake, 2007


BridgeClimb participants and guide on the Sydney Harbour Bridge, Sydney, Australia

BUY/LICENSE more Sydney harbour bridge structure images here

Photography © Quintin Lake, 2010

Pick Up Sticks Enterprises, Studio & Workshop of Architect & Artist Christopher Dukes, Kingsford, Sydney, New South Wales, Australia.

View the entire set of Pick Up Sticks Enterprises photographs here

Sculpture detail made from weathered timber off cuts

Workshop interior

Two states of consciousness: the awakened state & the state of self-identification

Plants through the window

A Tale of Two Cities: Christopher Dukes

Drawing board in the studio

View the entire set of Pick Up Sticks Enterprises photographs here

Photography © Quintin Lake, 2010

An architectural photography assignment for Julia Haensel Architecture documenting an exquisite almost-not-there glass walled meditation space in a garden in Richmond, London, England.

All building materials were brought into the tight garden site by hand via a narrow passage.

The 4 x 8 x 3.2 meter steel & glass meditation and contemplation space is based on Vastu principles. The construction was originally instigated by (Swami) Sri Kaleshwar. The buddha is a 16th century Khmer statue.

The shoot emphasised the quality of architectural detailing and the interplay of reflections with the transparency of the glass walls.

View the entire photoshoot here

Meditation space, 53 Mount Ararat Road

Meditation space, 53 Mount Ararat Road

Meditation space, 53 Mount Ararat Road

Meditation space, 53 Mount Ararat Road

Meditation space, 53 Mount Ararat Road

Meditation space, 53 Mount Ararat Road

See more architectural photography by Quintin Lake in the  book Drawing Parallels, Architecture Observed

Photography © Quintin Lake, 2009

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Walthamstow, London

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Gates from the cloisters of All Souls college cast shadows on Radcliffe Square, Oxford. This might be a rare moment when the the quod: that great British architectural invention of exclusion, offers a pubic gesture. All souls is a graduate college and is made up of top finalists from the rest of the university from which two are chosen each year.

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