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These damaged and defaced christian icons from Bulgaria seem part Francis Bacon, part Rene Magritte and part primitive fetish.
Photography © Quintin Lake, 2011

Detail of alumium studs on facade. Post Office Savings Bank (Postsparkasse), Vienna, Austria 1904-12 Architect: Otto Wagner.

Detail of aluminium radiator. Post Office Savings Bank, Vienna, Austria 1904-12 Architect: Otto Wagner

Glass block and column base detail. Post Office Savings Bank, Vienna, Austria 1904-12 Architect: Otto Wagner

Main hall with glass roof and glass block floor. Post Office Savings Bank, Vienna, Austria 1904-12 Architect: Otto Wagner
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Photography © Quintin Lake, 2011
In 1870, František Rint, a woodcarver, was employed by the Schwarzenberg family to put the bone heaps into order. Four enormous bell-shaped mounds occupy the corners of the chapel. An enormous chandelier of bones, which contains at least one of every bone in the human body, hangs from the center of the nave with garlands of skulls draping the vault. Other works include piers and monstrances flanking the altar, a large Schwarzenberg coat-of-arms, and the signature of Rint, also executed in bone, on the wall near the entrance.
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Photography © Quintin Lake, 2011