Archives for the month of: February, 2009

BUY PRINTS/LICENSE more Pripyat (Pripiat) 21 years after Chernobyl images here

Concert hall, Pripyat

Concert hall with water damaged soviet relief sculpture and piano, Pripyat, Chernobyl

Palace of Culture Theatre seating, Pripyat

The looted seating area in the Palace of Culture theatre, Pripyat

Palace of Culture prop room, Pripyat

Palace of Culture Theatre prop room with paintings of Lenin and dignitaries, Pripyat (Pripiat), Chernobyl, Ukraine

BUY PRINTS/LICENSE more Pripyat (Pripiat) 21 years after Chernobyl images here

Photography  © Quintin Lake, 2007

BUY PRINTS/LICENSE more Pripyat (Pripiat) 21 years after Chernobyl images here

Exercise books, Pripyat

Exercise books, Pripyat, Chernobyl Ghost town

Gas masks, Pripyat

Gas masks, Pripyat

Gymnasiun, Pripyat

Light shines across climbing bars and broken basketball hoop in a gymnasium. Pripyat, Chernobyl Excusion Zone

BUY PRINTS/LICENSE more Pripyat (Pripiat) 21 years after Chernobyl images here

Photography  © Quintin Lake, 2007

BUY PRINTS/LICENSE more Pripyat (Pripiat) 21 years after Chernobyl images here

Hospital reception, Pripyat

Hospital reception with doctor's appointment boards, Pripyat

Lenin and the pot plant, Pripyat

Lenin and the pot plant in the hospital, Pripyat, Chernobyl

Hospital waiting room, Pripyat

Hospital waiting room with discarded pot plant.

BUY PRINTS/LICENSE more Pripyat (Pripiat) 21 years after Chernobyl images here

Photography  © Quintin Lake, 2007

sinar_view_camera

Large format 4×5″ scanned transparency film can still be best when quality, resolution and optical distortion control are of the utmost importance. Large format transparency film is one of the last areas where film can offer more resolving power than digital at reasonable cost (as of Feb 2009). The resolving area is sixteen times that of 35mm.

A phase one P45/P65 digital back can be used with this camera if digital is a client requisite. The adjusting movements of this kind of camera allow keystone distortion and converging verticals to be corrected so the vertical sides of a building or room are vertical with the sides of the print for reproduction giving a cleaner naturalistic look particularly important when representing modern architecture.

Situations where a client may wish to consider commissioning a large format image might be a critical double page spread in a large book or magazine, a sharp print larger than 60x90cm or detailed crops that are required to be greatly enlarged. For historical buildings prior to heavy restoration or demolition a large format image provides the most accurate archival reproduction.

Old Abbey Mills Pumping Station (Station A)Half of the sewage of London pases through this building. The pumps used to be driven by massive steam beam engines, no longer visible, these were replaced by electric vertical motors that look like daleks which in term have been augmented by the boring looking white boxes of gadgetry.

The building is the old Abbey Mills Pumping Station (Station A) located in Abbey Lane, London E15, the building is a sewerage pumping station, designed by engineer Joseph Bazalgette, Edmund Cooper, and architect Charles Driver, it was built between 1865 and 1868 after an outbreak of cholera in 1853 and “The Big Stink” of 1858. It was designed in a cruciform plan, with an elaborate Byzantine style, described as The Cathedral of Sewage. The pumps raise the sewage in the London sewerage system between the two Low Level Sewers and the Northern Outfall Sewer, which was built in the 1860s to carry the increasing amount of sewage produced in London away from the centre of the city.

This article may be useful to you if like me you had trouble with the seemingly simple task of sourcing a threaded rod to fit your tripod or camera.

My search for this item was for the following purposes:

1. To attach a Gitzo monopod and tripod to a Really Right Stuff (RRS) Ball head and Manfrotto geared head ( 3/8″ thread)

2. To connect a Hama Accessory Shoe with Insulating Plate to a Lastolite umbrella swivel as I was always breaking the plastic manfrotto style accessory shoe (1/4″ thread)

3. To attach a ball head to a Manfrotto super clamp. (1/4 inch thread with 1/4 – 3/8″ adapter bushing needed on the head)

The problem I discovered is that most camera stores in the UK do not sell the compatible threaded rod. Outside of the photographic world the thread pitch is an old type known as whitworth so cannot be picked up at a regular hardware store. The pitch of whitworth is a 55 degree thread angle, and UNC (coarse) is the size which superseded whitworth is 60 degrees.

However UNC (coarse) is more easily obtainable from specialist suppliers in varied lengths and for photographic purposed they are interchangeable. Stainless steel should be used as it is the strongest which is advisable if you have a heavy camera and lens combination.

 

The solution and where to source in the UK

Depending on your tripod setup what you need is:

1/4″ UNC stainless steel threaded rod (grub screw) or socket setscrew

3/8″ UNC stainless steel threaded rod (grub screw) or socket setscrew

Required length will vary for your individual use, I found the 1″ length has worked well for ball head to monopod and general head to tripod mounting. This length also worked well to attach a Hama Accessory Shoe to a Lastolite umbrella swivel.

In the uk I have purchased these from http://www.a2stainless.co.uk/ to which I am not connected in any way.

 

Locking the connection

Once the correct thread has been obtained most people want to lock the threads using a removable threadlocker so their tripod/monopod head does not loosen during normal use.

The often recommended brand is Loctite 242 which is hard to purchase in small quantities in the uk. The difference between this and Loctite 243 is only related to oil repellence so will make no difference for photographic application

In the UK Loctite 243 Lock ‘n’ seal is easily obtainable for less than £3 for a 3ml tube from Halfords

Once this is applied to the thread and the items assembled as required the bond should be allowed to cure overnight.

Memories of Hall the Printers in Oxford prior to demolition, who judging scattered ephemera, printed a lot of 2000AD comics. Even though the machinery is long gone I love how resilient the marks and character of the previous occupants remain.

BUY PRINTS/LICENSE more Hall the Printer Ltd, Oxford images here

Hall the Printer, Oxford
Hall the Printer, Oxford
Hall the Printer, Oxford

BUY PRINTS/LICENSE more Hall the Printer Ltd, Oxford images here

Photography © Quintin Lake, 2009

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