Archives for category: Documentary Photography

Aarhus University’s Business School (Handelshøjskolen), Building S at Dusk, September 2012

Building S under construction, June 2011

End elevation which is illuminated from inside at night

The new building follows the massing of the adjacent university buildings designed by C. F. Møller

During construction, June 2011

Main circulation space at the heart of the building

Extensive use of glass screens adds to the impression of lightness inside

The hall space flows directly into the circulation areas

The building provides an astonishing variety of private, semi-public and social study areas

Study area on the top floor

Top floor under construction, June 2011

Another variety of semi-private study area

Contractors discussing fabrication of the roof steelwork, June 2011

Assignment for Søren Jensen Engineers to document the construction in 2011 and completion in 2012 of the Aarhus University’s Business School new Building S (Handelshøjskolen), Denmark. Architect: Cubo Arkitekter A/S. Engineer, Søren Jensen. The building won the City of Aarhus 2012 Architecture Prize. More photos from this shoot

Assignment for Søren Jensen Engineers to document the IHA Katrinebjerg (Engineering College of Aarhus), Denmark. Architect: C. F. Møller, Engineer: Søren Jensen. More photos from this shoot

Hothouse at the Botanical Gardens with old Windmill, Aarhus, Denmark

Abstract view of the structure at dusk

The structure will be ultimately filled with mature plants

Viewing platform inside the hothouse (under construction) at dusk

Some of the ETFE pillows are screen printed to reduce solar gain and appear silver

Viewing platform seen from outside the structure

The steel and ETFE structure soars overhead inside the hothouse

Assignment for Søren Jensen Engineers to document the new Hothouse at the Botanical Gardens, Aarhus, Denmark. Architect: C. F. Møller, Engineer: Søren Jensen. More photos from this shoot

An unashamedly modern house designed to maximise the spectacular views the site provides. The building is clad in limestone to fit in with the local vernacular.  Concept Architect: Powell Tuck Associates, Project Management & Interior Design: Pilar Albertson More Photos

Multi-Function Sports Hall at Magdalen College School, Oxford

The building’s form and materials give a new unity to the eclectic surroundings

The building is clad in semi-transparent Rodeca Polycarbonate as used by Herzog & de Meuron architects on the Laban Contemporary Dance Centre, London

The copper rain screen ties in with the existing buildings on site

The glulam structural timbers are beautifully expressed inside the main hall

The windows give glimpses to the surrounding buildings

Glulam (laminated timber) columns meet the two tone sprung floor

The semi-transparent external wall of the hall

An assignment by Original Field of Architecture to document their Multi-Function Sports Hall which contain a multi-purpose sports hall, classroom and support facilities at Magdalen College School, Oxford. More images >>

This misty morning in 2000 was the last time I saw the Towers

I took this photo when I was 16 lying on my back in the middle of a crowd of commuters, I remember a passing New Yorker laughing at me shaking his head in amusement. Photographed in 1991

To see these photos of the World Trade Centre, destroyed eleven years ago today, that still look so real is like looking at a picture of a dead family member in their prime. Built 1966-73, destroyed in 2001 killing 2,750 people. The tube-frame design allowed open floor plans as the loads were carried via perimeter columns forming a Vierendeel truss. Architect: Minoru Yamasaki Engineer: Worthington, Skilling, Helle & Jackson. New York, USA.

Thames Waters I
1/2 Mile downstream, Thames Head

Thames Waters II
2 Miles downstream, near Kemble

Thames Waters III
3 Miles downstream, near Ewen

Thames Waters IV
5 Miles downstream, near Ashton Keynes

Thames Waters V
15 Miles downstream, near Cricklade

Thames Waters VI
64 Miles downstream, Abingdon Lock

Thames Waters VII
85 Miles downstream, near Goring

Thames Waters VIII
96 Miles downstream, near Reading

Thames Waters IX
99 Miles downstream, near Sonning

Thames Waters X
100 miles downstream, dawn near Shiplake

Thames Waters XI
103 Miles downstream, near Henley-on-Thames

Thames Waters XII
104 Miles downstream, Marsh Lock. Henley-on-Thames

Thames Waters XIII
129 Miles downstream, near Runnymede

Thames Waters XIV
132 Miles downstream, Under M25 bridge near Staines

Thames Waters XV
158 Miles downstream, near Richmond, London

Thames Waters XVI
160 Miles downstream, near Kew, London

Thames Waters XVII
165 Miles downstream, Wandsworth, London

Thames Waters XVIII
169 Miles downstream, Houses of Parliament, London

Photographs of the mercurial River Thames made during a 10 day walk in August 2012 backpacking and wild camping where possible along 170 miles of the Thames Path from the source near Kemble in Gloucestershire to the City of London, I chose to end my journey on the steps of St Pauls.

Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long
TS Eliot.

Signed limited edition prints available at £195 each (40x40cm). To purchase please contact me. Larger sizes also available

Concrete entrance sign to Pripyat. Now a memorial, it is surrounded by plastic flowers.

Lobby of Hotel Polissia. Marble wall cladding has been removed by looters.

Light switches in a bedroom of Hotel Polissia.

Palace of Culture, central square and apartment blocks viewed from the terrace of hotel Polissia.

A silver birch tree grows through the floor on the terrace of Hotel Polissia. The hammer and sickle is visible atop the distant apartments.

Palace of Culture foyer with Soviet mural.

Abandoned dodgems from the fun fair due to open 4 days after the explosion.

Supermarket interior with abandoned shopping trolleys.

The looted seating area in the Palace of Culture theatre.

Palace of Culture Theatre prop room with paintings of Lenin and dignitaries.

Looted department store next to central square. The floor is covered with decayed ceiling tiles.

Single shoe, glazing gaskets, book and broom on floor of Department Store.

Abandoned Swimming Pool, Pripyat.

Light shines across climbing bars and broken basketball hoop in a gymnasium.

Abandoned and never used Ferris wheel, Pripyat. Due to open four days after the explosion.

Children’s exercise books and broken glass on a classroom floor.

Children’s gas masks, the silver filter elements removed by looters. They had ben issued according to soviet policy in case of nuclear attack from the West.

Hospital reception with doctor’s appointment boards.

Concert hall with water damaged soviet relief sculpture and piano.

Hospital waiting room, Pripyat.

Drawing of Lenin with dead house plant in the hospital.

When reactor number four at the Chernobyl Nuclear Power Plant exploded in 1986 the result was the worst nuclear accident in history. Large areas of Ukraine, Belarus, and Russia were severely contaminated, requiring the evacuation and resettlement of over 336,000 people.

Pripyat, 1km from the reactor, was designed as an exemplar of Soviet planning for the 50,000 people who worked at the power plant. A funfair, with bumper cars and Ferris wheel, was due to open two days after the reactor exploded.

These photographs, inspired by Robert Polidori’s earlier images of Chernobyl, were shot in 2007 over 5 hours, apparently the safe period of exposure. Although a Geiger counter was carried in case of localised high emissions, certain areas of vegetation which attract a higher concentration of radiation were avoided.

The physical devastation stems from looting and gradual building collapse, not from the explosion. Over the last ten years people have intruded regularly into the military exclusion zone, stealing everything from irradiated toilet seats to the marble cladding from hotel walls. Photographs of the town capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town.

Now with the nuclear disaster at Fukushima Reactor, Japan as a result of the 2011 Tōhoku earth quake and tsunami  these images of Chernobyl have a renewed poignancy.

Selected images from this series been exhibited at the Crane Kalman Gallery in Brighton, the Architectural Association in London, the Royal West of England Academy Autumn Show in Bristol  and the Host Gallery in London. Images from the series are also published in my book Drawing Parallels: Architecture Observed

BUY PRINTS / LICENSE IMAGES of Pripyat and the Chernobyl Nuclear Disaster here >>