Archives for category: Documentary Photography

The City of London: Architectural Tradition & Innovation in the Square Mile, Thames & Hudson. Authors: Michael Hall, Kenneth Powell, Alan Powers, Aileen Reid. Editor: Sir Nicholas Kenyon.

I was delighted to be one of the View Picture Agency architectural photographers commisioned to capture the images for this book. The fascinating buildings that I photographed for the book include : Fox’s umbrella Shop, Ironmongers’ Hall, Postoffice Park, General Post Office Headquarters, Overseas Bankers Club & Snow Hill Police Station.

The City of London is a major illustrated celebration of the architecture and of the Square Mile. Beginning with a general introduction that provides an historical overview of the Citys development, the main part of the book is divided into 8 chapters, each devoted to a particular district of the City. Each chapter begins with a 1,500-word introduction (with a specially commissioned map of the district as well as additional illustrations) and then includes approximately 25 entries on individual buildings and urban spaces such as squares and public gardens. Each entry is illustrated with 24 images, including specially commissioned exterior and interior photographs and selected archival images provided by the London Metropolitan Archives and other City sources. In total, there are approximately 200 entries, including major landmarks such as St Pauls Cathedral and 20th-century developments such as the Barbican, and each of the bridges that connects the City with the South Bank. The Tower of London, although not technically in the City, is also covered, as its history has been so bound up with that of the Square Mile.

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Auditorium & Art Gallery take shape along Brewer Street

St Ebbes Accommodation at left and Roger Bannister building behind white sheeting.

Auditorium / Art Gallery seen from New St Ebbes street accommodation

Auditorium / Art Gallery seen from New St Ebbes street accommodation

Measuring concrete form work

Measuring concrete form-work

New accommodation block at Rose Place

Preparing concrete form-work

Stairs from the Brewer Street bridge (not yet on site) that will link the two sites together

Stairs from the Brewer Street bridge (not yet on site) that will link the two sites together

New Brewer Street Accommodation block, street facade

New St Ebbes Street Accommodation block, street facade

These photographs are part of an ongoing monthly assignment to document the building work at Pembroke College, Oxford due for completion summer 2012.  View all previous posts of the Pembroke College Bridging Centuries Project >>

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Photography  © Quintin Lake, 2011





Kulturvaerftet, Culture Yard, Helsigor, Denmark. Architect: Aart

These photos were commissioned by Søren Jensen, the engineering firm of the project.

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Photography  © Quintin Lake, 2011

View all posts of the Pembroke College Bridging Centuries Project >>

VIEW MORE / BUY PRINTS / LICENSE IMAGES from Pembroke College Redevelopment here >>

Photography  © Quintin Lake, 2011

These damaged and defaced christian icons from Bulgaria seem part Francis Bacon, part Rene Magritte and part primitive fetish.

Photography  © Quintin Lake, 2011

Detail of alumium studs on facade. Post Office Savings Bank (Postsparkasse), Vienna, Austria 1904-12 Architect: Otto Wagner.

Detail of aluminium radiator. Post Office Savings Bank, Vienna, Austria 1904-12 Architect: Otto Wagner

Glass block and column base detail. Post Office Savings Bank, Vienna, Austria 1904-12 Architect: Otto Wagner

Main hall with glass roof and glass block floor. Post Office Savings Bank, Vienna, Austria 1904-12 Architect: Otto Wagner

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Photography  © Quintin Lake, 2011

Detail of coloured tiles and window of St. Stephens Cathedral (Stephansdom), Vienna, Austria

Coloured tiles of St. Stephens Cathedral contrasting with surrounding buildings, Vienna, Austria.

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Photography  © Quintin Lake, 2011

Coat of arms of Schwarzenberg family at Kostnice (Sedlec Ossuary) in Kutná Hora, Czech Republic

In 1870, František Rint, a woodcarver, was employed by the Schwarzenberg family to put the bone heaps into order. Four enormous bell-shaped mounds occupy the corners of the chapel. An enormous chandelier of bones, which contains at least one of every bone in the human body, hangs from the center of the nave with garlands of skulls draping the vault. Other works include piers and monstrances flanking the altar, a large Schwarzenberg coat-of-arms, and the signature of Rint, also executed in bone, on the wall near the entrance.

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Photography  © Quintin Lake, 2011